Arts

Graduate student Krista Mileva-Frank is curating “Objects for a Heavenly Cave,” an art exhibition at the Marta gallery in Los Angeles, highlighting the work of 13 artists and collectives considering “how the legacy of the Renaissance grotto might extend to their own work,” reports Laura Bannister for The New York Times. “Mileva-Frank hopes the show will encourage audiences to consider the relationship between art and nature and to contend with their own limited agency in an era of climate disaster,” writes Bannister. 

Rollerama, a pop-up roller skating rink at Kendall Common, has become a “corner of liveliness” this summer, providing the public with free fun and art in the form of a new mural by Massiel Grullon, reports Izzy Bryars for The Boston Globe. “We thought it could help people do something fun together, and start to give people a sense of what the Kendall Common build out will be like,” says Sarah Gallop, director of MIT’s Office of Government and Community Relations. 

The Logarhythms, a student a capella group at MIT, have debuted “Log Log Land,” a movie that takes a musical journey through the experiences of students grappling with their interest in pursuing the arts, reports Emily Wyrwa for The Boston Globe. Undergraduate student Reuben Fuchs - who wrote, directed and edited the film - hopes “Log Log Land” serves as "a reminder to people that putting time toward their passions is always important, regardless of their careers,” writes Wyrwa. “I hope people see bits of themselves in the movie,” explains Fuchs.
 

The MIT Summer Philharmonic Orchestra is celebrating its 25th anniversary season with a new concert, “Celebrating Milestones of Excellence,” reports Emily Wyrwa for The Boston Globe. The concert will be led by “music director and conductor George Ogata, the performance will feature music from Mexican composer Arturo Márquez, Argentine composer Alberto Ginastera, and Italian composer. Ottorino Respighi,” explains Wyrwa. 

WBZ NewsRadio’s Emma Friedman visits Rollerama, a free, outdoor pop-up roller skating rink that’s “all about bringing the community together and having fun in the space.” Now open for the summer in Cambridge's Kendall Square, Friedman reports that Rollerama at Kendall Common was put together by MIT's real estate group to bring the community to the newly-acquired space on the corner of Broadway and Third Street. “It’s been such a hit,” exclaims Sarah Gallop, director of government and community relations. "Over the last decade, MIT's been focused on bringing increased vibrancy to Kendall Square." 

Boston Globe reporter Mark Feeney spotlights “Drawing After Modernism,” a new exhibit at the MIT Museum that showcases various architectural sketches in different mediums. “There are some 50 items on display, not just artworks but also colored pencils, an airbrush, and exhibition cards for a 1977 exhibition at New York’s Leo Castelli gallery,” explains Feeney. “The MIT show is pretty much an ideal size: small enough for a visitor to comfortably take everything in, big enough to be varied and wide-ranging.” 

Prof. Philip Isola and Prof. Daniela Rus, director of CSAIL, speak with Associated Press reporter Matt O’Brien about AI generated images and videos. Rus says the computing resources required for AI video generation are “significantly higher than for still image generation” because “it involves processing and generating multiple frames for each second of video.”

Maya Levy '21 speaks with Boston Globe reporter Steve Annear about “The 24-Hour T Ride,” a play written by Levy and friends as part of their work with the MIT Shakespeare Ensemble group. The group is “known to produce 24-hour shows in which only the title is decided on beforehand,” explains Levy. “You can expect silly incredibly local scenes that would not hold up if you performed it anywhere else. You can expect the actors to be having a wonderful time.”

Boston Globe reporter Malcom Gay writes that Michael John Gorman, “a museum professional who has created and run several organizations devoted to science and the arts,” has been named the next director of the MIT Museum. At the MIT Museum, "Gorman inherits a dynamic new cultural venue replete with gallery space, forum areas, learning labs, a public maker hub, and collection of some 1.5 million objects,” Gay writes.

Writing for The Messenger, graduate student Kartik Chandra highlights the MIT Art Lending Program, which allows students to select one piece from the List Visual Arts Center’s collection to keep in their dorm rooms for the duration of the academic year. “Three years into my time at MIT, I’m convinced the program works well,” writes Chandra. “Our relationship with art changes from the moment we walk into the gallery. As students wander, pondering what to take home, conventional measures of fame, monetary worth, and even beauty fall away, and the only question that matters becomes: Does this piece speak to you, personally? And something always does — as if it were put there just for you.”

Prof. Tod Machover speaks with Boston Globe reporter A.Z. Madonna about the restaging of his opera ‘VALIS’ at MIT, which features an AI-assisted musical instrument developed by Nina Masuelli ’23.  “In all my career, I’ve never seen anything change as fast as AI is changing right now, period,” said Machover. “So to figure out how to steer it towards something productive and useful is a really important question right now.”

Tomashi Jackson SMACT ’12 has been awarded the deCordova Sculpture Park and Museum’s Rappaport Prize which honors local artists who have “demonstrated significant creativity and vision,” reports Emma Glassman-Hughes for The Boston Globe. Jackson says much of her work “is defined by the push and pull of ‘grief and joy’ and how they appear differently in public and private contexts,” writes Glassman-Hughes.

Gus Solomons Jr. '61, a “groundbreaking force in modern dance” has died at 84, reports Bryan Marquard for The Boston Globe. “Teacher, student, dancer, and choreographer, [Solomons Jr.] was based in New York City and commuted to Boston to spend each Tuesday teaching,” writes Marquard. “Performances with numerous dance groups in both cities packed his calendar, even before he made history as the first Black member of the legendary Merce Cunningham Dance Company.”

Using techniques inspired by kirigami, a Japanese paper-cutting technique, MIT researchers have developed a “a novel method to manufacture plate lattices – high performance materials useful in automotive and aerospace designs,” reports Andrew Paul for Popular Science. “The kirigami-augmented plate lattices withstood three times as much force as standard aluminum corrugation designs,” writes Paul. “Such variations show immense promise for lightweight, shock-absorbing sections needed within cars, planes, and spacecraft." 

Gus Solomons Jr. ’61, “a leading figure in modern and postmodern dance,” has died at 84, reports Gia Kourlas for The New York Times. Solomons began dancing at age 4, but didn’t begin training until he was a first year student at MIT, where he earned a degree in architecture. “Over his long career, Mr. Solomons danced with many companies and many choreographers, including Martha Graham and Merce Cunningham,” Kourlas notes. “He broke ground as the first Black dancer to join the Cunningham company.”